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his fame stood high. Camden did not hesitate to couple his name with the names of Spenser and Sidney; but modern critics have persistently neglected him. The present anthology contains a large number of his best poems; and I venture to hope that my attempt to recall attention to the claims of this true poet will not be fruitless.
There is much excellent verse hidden away in the Song-books of Robert Jones, a famous performer on the lute. Between 1601 and 1611 Jones issued six musical works. Two of these–“The First Set of Madrigals,” 1607, and “The Muses’ Garden for Delight,” 1611,–I have unfortunately not been able to see, as I have not yet succeeded in discovering their present resting-place. Of “Ultimum Vale, or the Third Book of Airs” [1608], only one copy is known. It formerly belonged to Rimbault, and is now preserved in the library of the Royal College of Music. The other publications of Jones are of the highest rarity. By turns the songs are grave and gay. On one page is the warning to Love–
